Tim Greiving
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The sound artist and composer took a deeply unique, and wonderfully successful, approach to the composing of his score for the new Jordan Peele-written horror reboot.
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A Black avant-garde musician has successfully applied his visceral, voice-centered style to the films he has scored lately. His approach eerily suits the newest Candyman movie.
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Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.
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Uncut Gems hurtles along with Howard Ratner's compulsion to gamble, bet his winnings instead of paying off debts and chase down the next high. A lot of the score is, counterintuitively, New Age.
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The film "63 Up" is the latest in a series of documentaries following a group of British children — filmed every seven years beginning when they were 7 years old. They're now 63.
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Joker is a psychological character study of a disturbed man who turns violent. To give the comic book villain human depth, composer Hildur Guðnadóttir had to dig deep and empathize with the character.
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John Williams is an honored film composer, but he began as an arranger. Williams is now arranging again, this time with the acclaimed violinist Anne-Sophie Mutter on the album Across the Stars.
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Twenty five years after he scored the original The Lion King, which won an Oscar, Hans Zimmer returns to Pride Rock to revisit the classic musical themes for a re-imagined tale.