Fresh Air

Monday-Friday Noon-1pm
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

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Copyright 2021 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm David Bianculli, in for Terry Gross.

DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm David Bianculli, professor of television studies at Rowan University, sitting in for Terry Gross. Actress Jean Smart is nominated for two Emmys this year. One is for starring in the comedy series "Hacks," as a comic whose career is in decline. The other is for her supporting role in the drama "Mare Of Easttown," as the mother of Kate Winslet's character. Her comedic timing was obvious in the hit '80s sitcom "Designing Women," and in the early 2000s, when she won two Emmys for her guest-starring role on "Frasier."

Copyright 2021 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Blue Bayou moved me a lot more than I expected or maybe even wanted it to. Scene by scene, this story of a Korean American adoptee facing deportation is frequently heavy-handed and overwrought. There were moments when I was certain I loathed it — only for it to reel me back in. By the end, I found myself wiping away furious tears, a little angry perhaps at the filmmakers for their sledgehammer tactics, but much angrier at the injustice of what they show us: an immigration system that can tear families apart.

Pulitzer Prize-winning author Colson Whitehead does extensive background research whenever he works on a book. For his latest novel, Harlem Shuffle, that meant learning how stolen items get "fenced."

"There's not a lot of literature about fences," Whitehead says. "But there is actually a book ... [that's] a sociological a study about these guys in the Midwest in the '60s, and one of the first things that struck me was their description of [the fences] being a wall between the straight world and the crooked world."

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