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  • Rapper Percy Carey, a.k.a. MF Grimm, has survived several murder attempts, including one that left him paralyzed from the waist down. He's got a new album, The Hunt for the Gingerbread Man, and he's just published an autobiographical graphic novel.
  • Luciana Souza's The New Bossa Nova features pop standards set to a Brazilian bossa nova beat.
  • Zach Condon is a young singer-songwriter who grew up in Albuquerque, N.M., but whose musical interests have looked abroad. His debut, which drew on Balkan gypsy music, was a surprise hit among Internet indie-rock cognescenti last year. His second set with the band Beirut is The Flying Club Cup.
  • Recognized in Time Magazine's 2007 list of the world's 100 most influential people, Senegal's Youssou N'Dour is known in some circles as "the most famous African singer alive." He discusses his new album (Rokku Mi Rokka) and the inspiring messages behind his lyrics.
  • In his new autobiography, Eric Clapton tells the story of his professional rise and his personal battles with substance abuse. In the first of a two-part interview, Clapton remembers the blues greats that influenced him as a young guitarist.
  • Britney Spears has had a busy year: A child-custody fight, a much-derided MTV Video Music Awards performance, a public tonsorial meltdown. But she has a new album — Blackout, her first studio disc since 2003 — and the music is what matters, right? Rock critic Ken Tucker has a review.
  • For the Perry siblings of Tupelo, Miss. — ages 9, 14 and 16 — making music involves making unique instruments from car parts. The young family band with astonishingly mature blues chops demonstrates its craft in NPR's Studio 4A.
  • Most know her as an actress, from her work in projects such as Almost Famous and Weeds. Now, with M. Ward, she's part of the musical duo She & Him. Their debut album came out in March 2008.
  • Edwards is one of the last men who knew the iconic bluesman Robert Johnson.
  • More than anything Malkmus has done, Real Emotional Trash engages in the sort of shape-shifting that marked Bob Dylan's career. He wears a different mask on virtually every song, and it certainly helps that the band is his strongest post-Pavement outfit yet.
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