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  • Ken Tucker reviews the seventh studio album from Wilco. It's a mature and confident work, but it also has a playfully affectionate side.
  • In a curious case of musical evolution, the older Lee Fields becomes, the closer he gets to perfecting the sound of soul that he grew up with. His latest release, My World, finds an ideal middle ground between the slow grind of Southern blues and the faster, funkier stylings of retro-soul.
  • NPR Music's Song of the Day features a new track every weekday, with analysis of the music, links to each artist's Web sites and, of course, a chance to hear the song itself. Here, Song of the Day editor Stephen Thompson talks about recent selections by Edward Sharpe and the Magnetic Zeros, Kurt Elling and more.
  • Henry Alford recommends one of the least "ooey-wooey books about religion or philosophy" he's ever read: the Tao Te Ching, a collection of aphorisms that dates back two millennia and invites constant reinterpretation.
  • Seeger was a leading figure in the 20th century resurgence of American traditional music and a noted field collector of rural Southern music. He recorded hundreds of musicians in their homes and local performing venues.
  • The singer and songwriter's new double album, High Wide and Handsome: The Charlie Poole Project, is a tribute to the old-time country banjo player who died in 1931.
  • New Yorker journalist Andrew Marantz says Prime Minister Viktor Orbán's administration has rewritten Hungary's constitution to consolidate his power. U.S. conservatives are taking note.
  • Mike Disfarmer snapped portraits of anyone and everyone in the small town of Heber Springs, Ark. The photos spanned a period from the Great Depression through World War II. Guitarist Bill Frisell composed a series of musical vignettes based for Disfarmer's work on a new album appropriately called Disfarmer.
  • A re-mastered, newly released back catalog of six albums by the Brit-punk band The Subhumans will remind you why people were knocked out by punk in the 1980s.
  • Ann Patchett first read The Ambassadors — that notoriously opaque Henry James novel — at the suggestion of a good friend. Little did she know she was about to discover "the literary equivalent of a religious text."
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