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The family of Emmett Till want authorities to serve a 1955 arrest warrant to the white woman they say is responsible for his murder and kidnapping.

More people retired during the COVID-19 pandemic than expected. But with rising inflation, a plunging stock market and a hot housing market, some are wondering if they left their jobs too soon.

Glen Hansard and Marketa Irglova, stars of the hit 2007 movie Once, recently sat down with NPR's Melissa Block. Now performing as The Swell Season, they discuss their new album (Strict Joy), perform two songs and surprise each other with new revelations about a song's meaning.

The news that Bob Dylan was making a Christmas album came as a surprise. Now that Christmas In The Heart has been released, with the announcement that all profits will go to charity, it's caused even more consternation, with commentators divided as to whether it's an earnest effort or one big put-down. Rock critic Ken Tucker offers his opinion.

Akron, Ohio, came together to mourn Jayland Walker, who was shot by police. As residents paid respects at his memorial service, community organizations called for police reform and accountability.

NPR's Ailsa Chang talks with Sisters of Life's Sister Bethany Madonna and Mike Phelan of the Office of Marriage and Respect Life about the church's work with people carrying unexpected pregnancies.

Joshua Schulte, who represented himself in his retrial, told jurors that the CIA and FBI made him a scapegoat for an embarrassing public release of a trove of CIA secrets by WikiLeaks in 2017.

Nicole Mitchell's Renegades matches exploratory playing with deep grooves and a tight ensemble blend. The new group is Black Earth Strings, consisting of flute, three strings and percussionist Shirazette Tinnin.

If you must see one rapper this year who happens to be Muslim, albino and legally blind, it should be Brother Ali. Inspired by the music of Rakim and other old school rappers, Ali sought out the Quran and converted to Islam.

Listening to Davis' propulsive funk, it's apparent that her image was just as important to her albums as a guitar or a keyboard or her voice. In 1975, she seemed to represent her era, but she probably pushed boundaries too far for mainstream music. Here, Meredith Ochs reviews a recent reissue of Davis' groundbreaking album Nasty Gal.