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  • Even before the U.S. Supreme Court overturned Roe v. Wade, whether a health plan paid for abortion varied widely. Now it's become even more complex, with conflicts and court challenges on the horizon.
  • With a husky whisper of a voice and a well-developed acoustic guitar style, Matt Ward might easily be pegged as a folk singer. But reviewer Meredith Ochs says his new album, Hold Time, points in many musical directions.
  • Joss Whedon's new television show, Dollhouse, follows a group of young women and men who have volunteered to have their personalities and memories erased.
  • Rock critic Ken Tucker reviews the debut release by the L.A. band Fol Chen. The album is called Part 1: John Shade, Your Fortune's Made.
  • Pizzarelli is known as one of jazz's great chord soloists, as well as an extraordinary rhythm player. Now 83, Pizzarelli was recently honored by the New York Public Library as one of its speakers at the "Duke Jazz Talks," an interview series in which he performed with his son, John Pizzarelli.
  • She's best known for her original songwriting, but her cool, insinuating delivery is perfect for classics, too. She visits NPR's Studio 4A for a performance from her latest album, The Cole Porter Mix — plus a certain Valentine's Day standard.
  • The accordion has traveled the world, and its sound has been altered by every culture it touches. Music critic Banning Eyre says Argentinean Chango Spasiuk takes lowbrow music from the countryside and transforms it into sophisticated urbanite fare. He reviews Spasiuk's new album, Pynandi Los Descalzos.
  • Slumdog Millionaire director Danny Boyle says that although filming in India presented a variety of difficulties, working on-location also helped him capture an "incredibly rich and complex society."
  • Last November, for the first time in his career, Morrison revisited his second album, Astral Weeks, in concert. The result, Astral Weeks: Live at the Hollywood Bowl, arrives this week, offering a fresh take on one of the key recordings in late '60s rock.
  • Washington, D.C., is known more for suits than fun, but it also has a long history as a home to diverse styles of music — from Duke Ellington to hardcore to go-go — and some of the hottest guitarists to ever touch the fretboard: Roy Clark, Roy Buchanan, Danny Gatton. Today, the city is home to an experimental music scene that's thriving under D.C.'s official radar.
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