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  • For those who think all Cajun music sounds exactly the same, a new CD tries to dispel that pervasive and dangerous myth. Christine Balfa Plays the Triangle offers up nearly an hour of triangle solos, performed by a woman with an impeccable Cajun pedigree.
  • The keyboard player for The Faces and The Small Faces talks about playing snooker and skittle, making deals with Mick Jagger and how a broken-down van helped jump start his career.
  • When the gospel duo Mary Mary announced its tour dates for this spring, not one church was on the list of venues. Sisters Tina and Erica Campbell, who named their act after the two Marys in the Bible, have spent their careers taking gospel music out of its usual venues.
  • In a new report, GLAAD found that 84% of LGBTQ adults said not enough protections are on social media to prevent discrimination, harassment or disinformation.
  • April 14 marks the 250th anniversary of the composer's death. In honor of the occasion, two preeminent Handel musicians explain why the music remains as popular as ever with both performers and audiences.
  • American Idol winner Kelly Clarkson has released All I Ever Wanted, her fourth album. Rock critic Ken Tucker has a review.
  • Composers seem to equate villainy with the bass voice. All the better for Samuel Ramey, whose resonant low tones have thrilled opera audiences worldwide as he plays libertines, devils and scoundrels.
  • Rock critic Ken Tucker reviews Together Through Life, Dylan's 33rd solo album. Throughout the disc, Dylan sings in cobwebbed moans, growling croons and spoken-word chants.
  • On a new CD, God Shall Be Praised, recently discovered manuscripts at a 12th-century German convent awaken an ancient sound world. The shifting patterns of melodies were composed with subtle genius, to interest the ear but also create a sense of calmness and inner reflection.
  • With songs about Anne Frank's final months at Bergen-Belsen, Neutral Milk Hotel's In the Aeroplane Over the Sea hardly seems like the stuff of high school theater. But with the aid of The Dresden Dolls' Amanda Palmer, students in Lexington, Mass., have turned the seminal indie rock album into a surrealist production.
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