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  • The bilingual singer-songwriter from Guatemala floats as easily between Motown, folk and jazz as she does between Spanish and English.
  • The supergroup, which includes members of R.E.M. and The Dream Syndicate, takes fandom seriously on its second disc of songs about the national pastime.
  • Before he was famous for popularizing bossa nova with "The Girl from Ipanema" in the early 1960s, saxophonist Stan Getz recorded with small jazz groups all through the '50s. Jazz critic Kevin Whitehead says a new reissue shows Getz was one of the best at playing pretty.
  • Paul Simon has again teamed up with producer Phil Ramone for his new album So Beautiful or So What, the first since 2006's Surprise. Rock critic Ken Tucker says the album succeeds in blending elements of Graceland and Simon's self-titled 1972 solo album.
  • He may have made it to the stage of La Scala at 23, but the so-called "next Pavarotti" says patience and moderation have been guiding principles in his career.
  • A stunt, a joke or a big lie? There was nothing special in the story behind the New Jersey-based band Delicate Steve. A press release used to promote the band, on the other hand, was something altogether more fantastic.
  • Spending her early career in the British punk band X-Ray Spex, Poly Styrene is no stranger to making musical statements of principle on her own idiosyncratic terms. Her new album is Generation Indigo.
  • Last month the haunting and delicate music from the score of The Social Network won the Oscar for best original score, and for millions of fans of the industrial band Nine Inch Nails, there was a moment of jaw-dropping surprise when a clean-cut Trent Reznor took the stage to accept the award.
  • The guitarist opens up about his music, his legendary journeys on the road with The Rolling Stones and his occasionally contentious relationship with lead singer Mick Jagger in a new memoir called Life.
  • In honor of Levine's 40th anniversary conducting the Metropolitan Opera, the Met has released two box sets of his live performances. Classical music critic Lloyd Schwartz says the new releases prove what a vital figure Levine has been.
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