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  • It's easy to feel the romance in the musical relationship between Michael Trent and Cary Ann Hearst, who've become musical embodiments of how loving couples make it work.
  • On her first studio album since 2008, the 74-year-old firebrand's voice remains relevant, full of spit and vinegar and fun.
  • In 1971, Motown founder Berry Gordy created MoWest, a California label that would last only two years before being dismantled. A new anthology documents this odd and little-known chapter in Motown's history.
  • Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.
  • Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.
  • More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.
  • Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.
  • The Aces' full-length debut is a pop confectionery, and fit to be blasted from car stereos, but there's substance to its sweetness
  • The inspired Head Carrier reaffirms all the spark, wit and weirdness, tempered by the occasional burst of emotional rawness, that made people fall in love with the Pixies in the first place.
  • Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.
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