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  • Over the weekend, the NFL and its players union announced a change to the league's concussion policy after a high-profile incident involving a star Miami Dolphins quarterback.
  • Iran's Foreign Ministry said Sunday it summoned Britain's ambassador to protest what it described as a hostile atmosphere created by London-based Farsi language media outlets.
  • The artist, one of hip-hop's biggest names of the 1990s with hits including "Gangsta's Paradise" and "Fantastic Voyage," died Wednesday at age 59, his manager said.
  • Part of Nick Underwood's job is flying through hurricanes to collect data for the National Oceanic and Atmospheric Administration. He's been doing that for six years and says Ian was especially rough.
  • In this week's Wisdom Watch, former Secretary of State Madeleine Albright discusses foreign relations, sexism and the dynamics of presidential politics, as chronicled in her new book Memo to the President Elect: How We Can Restore America's Reputation and Leadership.
  • Performance artist Hillary Carlip collects discarded shopping lists. She imagines their authors, transforms herself into them, and goes shopping. In one case, she even created an online dating profile for her character.
  • Syrians seem unimpressed with this year's Nobel Peace laureate — the Organisation for the Prohibition of Chemical Weapons, the international chemical weapons watchdog that is currently working in Syria to catalogue and destroy the Syrian army's stockpiles of poison gas. In the words of one activist in Damascus, reaction "ranges from pure anger to disillusion to sarcasm to black comedy."
  • Commentator Clancy Sigal was a sergeant in the American army of occupation in Germany, the only Jew in his unit. He remembers vividly his visit to the Nuremberg Trials.
  • What happens when fans stop talking about a show that used to be their favorite? Take American Idol, for example. Last week's finale was way down from last year's finale. It was the first time a finale did not reach the 20-million mark.
  • Salvant explores the quaint art of jazz singing, but with her own aesthetic idiosyncrasies intact. Her toolbox contains anywhere from a rich, husky voice to one that tiptoes theatrically, girlishly.
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