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Ed Ward reviews One Kiss Can Lead to Another: Girl Group Sounds, Lost and Found.

The major networks and several cable units are offering up new seasons in September. A new HBO comedy, Extras, stars Ricky Gervais, who remains best known for starring in and helping to create the original British version of The Office.

Los Angeles Times critic Kenneth Turan reviews Lipstick & Dynamite, a new documentary about women wrestlers of the '40s, '50s and '60s.

Los Angeles Times movie critic Kenneth Turan reviews the new French film Look at Me, directed by director Agnes Jaoui from a screenplay written by her husband. They are both actors who got so frustrated with the roles offered to them, they decided to make their own movies.

He currently stars on the drama series, Without a Trace as the head of the FBI division that focuses on missing persons. Before that he won an Emmy Award for his guest-starring role as Simon, Daphne's drunken brother on Frasier.

The new film from director Todd Solondz, Palindromes, begins with a funeral for Dawn Weiner, the memorable, much-maligned 11-year-old from the 1995 Solondz film Welcome to the Dollhouse. The main character of the new film is Dawn's cousin, but she's played by seven different and distinct actors.

Hong Kong writer, actor, and director Stephen Chow's new film, Kung-Fu Hustle, is a very funny calling-card for American audiences and an entertaining introduction to a variety of martial arts styles.

Film critic David Edelstein reviews Sin City, starring Bruce Willis and directed by Robert Rodriguez and comic writer-artist Frank Miller.

Palindromes is the dark, new film comedy by Todd Solondz. It's a sequel to the writer-director's Welcome to the Dollhouse. Bob Mondello says like that earlier film, this new one deals almost exclusively with discomfiting subjects.

Writer-director Paul Haggis' new film Crash explores racial tensions among a cast of characters whose lives intersect shortly before Christmas in post-Sept. 11 Los Angeles. Haggis and actor Brendan Fraser discuss the making of the film.