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Fresh Air's resident rock historian remembers soul singer Lorraine Ellison, who recorded a handful of albums and dozens of singles in the '60s and '70s; though she charted a few R&B hits, she never quite broke through to stardom. Her biggest success was with the string-saturated ballad "Stay With Me," which topped out at No. 11 on the R&B charts and has since been covered by everyone from Bette Midler to teenybopper idol Rex Smith.

Iconic series loses something when it's padded and ironed out to conform to Hollywood's templates; the film rarely captures the magic of the show, with its lunatic free-associations and its manic highs.

Actress Holly Hunter talks about starring in a new cable television series, Saving Grace, which runs Monday nights on TNT. Hunter also looks back on her Oscar-winning film career.

Michael Harvey created the A&E cable show Cold Case Files, a documentary series that follows forensic experts and detectives as they investigate long-unsolved murder cases. Harvey has also written a novel, The Chicago Way.

Fresh Air's critic says Steve Buscemi's film — a remake of a two-character psychodrama by murdered Dutch director Theo van Gogh — isn't politically incendiary, but it's powerfully dramatic.

Near the town of Alliance, Neb., stands an installation called Carhenge. The artwork replicates Stonehenge in England, but in the form of 38 vintage American cars, half buried in the ground. Carhenge draws about 30,000 tourists a month during the summer, and it turns 20 this weekend.

Critic Maureen Corrigan is back with summer-reading suggestions from the nonfiction shelf — titles from Susan Richards Shreve, Jon Katz and Juliet Nicolson.

The Sergio Leone Anthology includes A Fistful of Dollars; For a Few Dollars More; The Good, the Bad and the Ugly and Duck, You Sucker.

Hollywood puts the planet in peril again with Fantastic Four: Rise of The Silver Surfer. The comics were hip enough to last for more than 40 years, but the movie treatment is far from must-see cinema.

In 1861, Elizabeth Packard was forcibly removed from her home and committed to an insane asylum because she disagreed with her Calvinist husband's religious beliefs. Playwright Emily Mann tells her story in the Kennedy Center's presentation of Mrs. Packard.