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Bass baritone opera star Samuel Ramey has made a career out of playing demonic characters on stage. But he tells Scott Simon that in his early years he listened to the likes of Elvis Presley and Pat Boone.

Little Children tracks an affair between a dissatisfied housewife and "the prom king," a stay-at-home dad who avoids studying for the Bar as he visits the playground with his son. Things come to a head when a man sent to jail for exposing himself to children is released and moves into the community.

In American fiction, TV and film, suburbia has long stood as shorthand for repression. It's a place of "wide lawns and narrow minds," as Earnest Hemingway put it. But representations of the suburbs have taken on a different shape of late.

Francis Ford Coppola's first film in a decade is an idea-driven film based on a Romanian philosopher's delicate novella. It's about an aged academic who becomes young again when he's struck by lightning.

Elizabeth Gibson found a painting sitting between trash bags, waiting for the garbage truck in front of a Manhattan apartment. Turns out, it's an art piece stolen 20 years ago — that's now worth $1 million. Gibson talks about her find.

Our weeklong retrospective of the year's most entertaining interviews continues with Nancy Cartwright. You've probably heard her work, but you may not have known it was her. She's the voice of Bart Simpson.

Politicians aren't the only ones doing a song and dance this election season. Iowa-born playwright Robert John Ford has written a musical comedy that pokes fun at the Iowa Caucuses and there's an adaptation in the works for the New Hampshire Primary.

Filmmaker Brian De Palma has been making movies and stirring controversy for more than 40 years. His films include Scarface and Casualties of War; his new Redacted retells a true story about a rape and murder committed in Iraq by U.S. soldiers.

Our cultural concierge, Jesse Kornbluth, urges revisiting the 1983 comedy, Local Hero. The soundtrack of this overlooked film – about Scottish villagers who thwart an American oil company's efforts to buy their land — is just as entertaining as the premise.

Matthew Diffee contributes regularly to the cartoonists' bible, The New Yorker. But that magazine gets more than 500 submissions a week — and publishes only 20 cartoons in each issue. Diffee's new book, featuring his work and that of other New Yorker regulars, is The Rejection Collection, Vol. 2: The Cream of the Crap.